This is so spooky and unsettling. I love how distorted and crazy it gets up to measure 28. The piece sounds like it dissociates in measure 36 and it's so gripping and tense that going back to the more quiet part at 52 makes what seemed so off-putting become more welcoming. The outtro is really interesting because all the chords are so clustered, but their timbres maintain this sense of calmness while at the same time, keeping up with a similar sort of tenseness from the beginning. I felt like I was on edge the entire time! Great job.